LONDON PRINT STUDIO · GRAPHICS THAT MAKE AN IMPRESSION
Superchrome
Superchrome print guide

Art fair stand graphics

A trade show stand shouts, and an art fair stand should do nearly the opposite. Your graphics are there to help the work sell, and then to disappear.

Exhibition gallery with printed wall panels and display cases

What a stand really needs.

Collectors walking the aisles want to know whose work it is, what it is, and how to take the conversation further. That is a very short list.

Stand graphics, in order of importance
ItemWhat it doesA simple way to do it
Your nameLets people find and remember youCut vinyl on the wall, or the organiser's fascia
LabelsTitle, medium, size and dateSmall, neat and consistent, set beside each work
StatementA short way in for curious visitorsOne panel of no more than a few short paragraphs
Price informationSaves an awkward conversationA discreet list on the desk, if the fair permits
ContactGets the follow-upCards or a QR code on a small sign

Six ways a stand gets in the art's way

  • A banner with your artwork on it. A printed picture of a painting beside that same painting only makes the original look smaller. Leave the wall for the real thing.
  • Too many fonts. One typeface in two sizes is plenty. Use the one from your website.
  • Heavy lettering. Big black type next to a delicate drawing wins the fight. Try a mid-grey, or a smaller size.
  • Labels that wander. Choose one height, and measure it. Uneven labels make the whole stand look rushed.
  • Ignoring the rules. Fairs often say how walls may be fixed to, and what must be returned to white at the end. Read your exhibitor pack before planning any vinyl.
  • Tiny type under bright spots. Print a label at actual size and look at it from arm's length under a similar lamp.

Choosing materials

Lettering on a stand wall can look like part of the architecture. A matt white or grey vinyl will stay quiet, and it comes off at the end, though you should check that your fair allows it. Labels and statements on thin board look neater than paper, and are simple to fix. Try 1mm or 3mm Foamex. Tell us how the wall is built, because hook-and-loop fabric panels, painted boards and grids all need something different.

Guide prices
ItemPrice
1mm Foamex mounting, A2£7
3mm Foamex mounting, A2£7
Cut vinyl, 15mm to 40mm letters, per character£0.65
Cut vinyl, 41mm to 80mm letters, per character£0.99

Guide prices from our price list. They exclude VAT and delivery and assume print-ready artwork.

Selling prints as well as originals?

Keep them away from the main wall. A browser or a shelf at the side is enough. Have prints ready in sleeves, numbered if they are part of an edition, and read our guide to printing limited editions so that the paperwork is ready. For a first show, read mounting photographs for exhibition, because a neat presentation is your first impression.

From the Superchrome archive

Quiet text beside the work.

Useful to know

Your questions.

Can you print a name vinyl that I fit myself?

Yes. Cut vinyl comes on a backing with an application tape, so you can position it yourself. Practise on a spare piece and take a level with you.

How big should my name be on the wall?

Large enough to read from across the aisle, but no larger. Our letter height guide gives you a starting point. Tape up a paper test if you can.

Can I use the same labels at my next fair?

If the prices are kept off them, yes. Keep prices on a separate list so a label does not go out of date.

Let’s make it happen

A big idea deserves
a brilliant print.

Tell us what you’re making. We’ll help you plan the print.

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