LONDON PRINT STUDIO · GRAPHICS THAT MAKE AN IMPRESSION
Superchrome
Superchrome print guide

Reprinting a damaged photograph

Stop before you try to fix it. Some of the hardest damage to undo is done by someone trying to help.

Exhibition wall of mounted panels with text and pictures

First aid for the original.

Sticky tape, glue, a damp cloth and a hopeful tug at a print stuck to its frame can each do more harm than the original damage. Leave the photograph as it is, keep it flat in a clean envelope or folder, and use the table below.

Common damage and what to do
DamageWhat to do nowWhat usually happens next
Torn or in piecesKeep every fragment together. Do not tape itPieces are captured and joined digitally
Creased or crackedKeep it flat. Do not force itCaptured as it is, with retouching on the file
Faded or yellowedKeep it out of the lightTone and colour work on the file. Faint detail may return, lost detail will not
Stuck to glassLeave it in the frame. Do not peelAsk us first. A paper conservator may be the right call
Damp or mouldDo not seal it in plastic. Handle it with care, away from other photosTake specialist advice before it travels, as mould can affect health

How a new print gets made

  1. Capture. A flexible print in fair condition can be scanned. A brittle, curled or framed one is safer photographed, because nothing has to bend it.
  2. Assess. We look at the file and tell you honestly what can be done.
  3. Retouch. Repair work is priced by the job, because a small crease and a missing corner are very different tasks. Ask us about your photograph.
  4. Check. Look at the repaired image before anything is printed large.
  5. Print. Choose a size and paper. See our photo printing options.

Capture prices

Scanning or photographing an original
Original sizeDrum scanDigital photography
A6£15.00Ask us
A5£20.00Ask us
A4£25.00£20.00
A3£30.00£40.00

Guide prices from our price list. They exclude VAT and delivery and assume print-ready artwork.

What is realistic

Retouching rebuilds what is missing from what surrounds it. Across a wall or a patch of sky, that can be invisible. A tear through an eye is different: the repair is a careful reconstruction, and someone who knew the person may spot it. If you have another picture of the same face, send that too, as a guide.

Size matters as well. Enlarging a small snapshot magnifies the repair along with everything else. Reprinting at the original size, or a modest step up, is usually the kindest choice.

Keep the original, and check the rights

A new print does not replace the old one, so store it safely afterwards. For anything of historic or family importance, speak to a conservator before any physical treatment. And if the picture came from a professional studio, the copyright may still belong to the photographer or their estate. Our page on scanning and reprinting has more on the wider service.

From the Superchrome archive

Photographs back on the wall.

Useful to know

Your questions.

Do you work from a phone photo of the damaged print?

A phone photo is handy for showing us the damage, but a proper scan or photograph gives far more to work with. Use it for the first conversation, then let us capture the original.

Can you make a black and white photo look like colour?

Ask us. It is a creative job and not a repair, so the result is an interpretation. We can tell you if it suits your image.

Will the process harm my original?

We choose the capture method to avoid stressing it, which is why fragile prints are photographed. Tell us about any weakness before you hand it over.

Let’s make it happen

A big idea deserves
a brilliant print.

Tell us what you’re making. We’ll help you plan the print.

Discuss your project