Fine art & giclée printing
Reproduce artwork and illustrations for display, portfolios or sale.
Fine art & giclée printing
Framed print options
Framing decisions can transform a print, and they can also cause problems if the glazing or mount is wrong. This guide to framed print options is for artists, photographers, offices and hotels planning finished pieces for a wall.
Glazing comes first, not the moulding
Most people pick the frame first, but the clear front layer affects how the piece is seen every day. Standard glass is rigid and resists scratches, yet it reflects and adds real weight at large sizes. Acrylic glazing is lighter and shatter resistant, which suits public spaces and big frames, although it needs careful cleaning. Anti-reflective and UV-filtering versions of both exist, and they help where light is a problem. Any public or commercial venue may have its own safety requirements, so check them before specifying.
Window mount, float mount or box frame
A window mount places a card border around the image and keeps the print away from the glazing, which matters for photographs. Choose acid-free board for anything of value. Float mounting shows the whole sheet, including deckled edges and a signature, sitting on a backing board. Box frames add depth, giving space for thicker pieces or a stronger shadow line. As a rule, wider borders suit smaller images and make them feel more considered. Prints from our fine art printing service often leave a margin for exactly this purpose.
Profile, colour and what the wall can carry
A slim black or natural wood frame tends to step back and let the picture lead, whereas a wide profile makes a statement and takes up more wall. Group several works in matching profiles for a calmer look. Weigh up the wall too. A large glazed frame can be heavy, and plasterboard may not hold it without proper fixings. If that rules out a frame, a print on acrylic or stretched canvas offers a frameless finish. Ask us which framing routes suit your print.
Related topics
Useful to know
Your questions.
Which framed print options suit a very large piece?
Large work often needs acrylic glazing for weight and safety, along with a sturdy profile. Some sizes may be better frameless. Give us the dimensions and location and we'll talk through what is practical.
Should my print touch the glass?
Ideally not, especially with photographs, which can stick to glazing over time. A window mount or spacers keep a small gap and allow air to move. It is a simple step that protects the print.
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