LONDON PRINT STUDIO · GRAPHICS THAT MAKE AN IMPRESSION
Superchrome
Superchrome print guide

Illuminated graphic displays

Light behind a print behaves differently from light falling on it. Decide how your graphic will be lit first, because that choice sets the material and the artwork.

Glass-walled display building lit up at night

Three ways to light a graphic.

Lighting routes compared
RouteHow it worksPrint to useWatch out for
Backlit boxLamps or LEDs inside a unit shine through the printBacklit film or acetateUneven lamps show through as bright patches
Spotlit from the frontTrack or picture lights fall on the surfaceAny matt or low-sheen printGlare from a gloss surface; shadows from frames
Daylight through glassThe window does the work by dayTranslucent film on the glassGoes flat after dark unless the room is lit

How to choose

Think first about when the display is seen. A pub or a cinema foyer does most of its trade after dark, so light from behind earns its place. A gallery wall is better served by good spotlighting, which is usually simpler to change and leaves you with a wider choice of print. If the graphic is mainly seen in daylight, a backlit unit may hardly show.

Then look at what is already on site. Replacing the face of an existing unit is a very different job from specifying a new one. See lightbox graphics for measuring an existing frame, and ask us if you need a unit as well as a graphic.

Designing for light

  • Colours lift. Light behind a print makes colour look brighter and pale tones can wash out.
  • Dark areas need density. A black that looks solid on the desk may turn grey once it is lit.
  • Thin white type glows. Light spreads into fine reversed lettering and makes it look heavier, so leave more space between letters.
  • Faces need care. Skin tones are the first thing to look wrong when a backlit graphic is out of balance.

Test on the real unit

Lamps differ in colour and brightness, so the only reliable check is a piece of the actual film in the actual box. Ask about a test strip for any image where colour matters. Look at it with the lights on and off, as many units spend half their day unlit.

Power and safety

New electrical work should be carried out by a qualified electrician, and anything added to a shop front may need permission from your landlord or local authority. Check those points before you print.

Backlit film prices

Backlit media and acetate share the same prices. Our guide to backlit displays explains the wider range.

Backlit and acetate, price per print
SizePrice
A2£26
A1£39
A0£65
30in x 20in£33
40in x 30in£59
60in x 40in£99

Guide prices from our price list. They exclude VAT and delivery and assume print-ready artwork.

From the Superchrome archive

Print that comes alive with light.

Useful to know

Your questions.

Can I put an ordinary poster in a lightbox?

Usually not with good results. Standard paper blocks too much light and shows its fibres. Backlit film is made to spread light evenly.

Is backlit film the same as acetate?

They are different materials at the same price on our list. Tell us the unit and the look you want, and we will recommend one.

Should artwork be changed for a backlit print?

Often it should, particularly dark areas and fine type. Tell us it is for a lit display when you send your file.

Let’s make it happen

A big idea deserves
a brilliant print.

Tell us what you’re making. We’ll help you plan the print.

Discuss your project